When it comes to high quality camp, nothing on television does it better than "Glee."
Each episode of the deliciously addictive series reads like back of the world's cheapest shampoo bottle: One, lather up enough sudsy soap drama to create "Degrassi" level conflict. Two, rinse out said drama with spectacular (and spontaneous) song and dance numbers. Last but not least, repeat.
While some might argue that tuning into a show with a formula this silly would be as boring as "watching beige paint dry," it's anything but.
After four musicless months without everybody's favorite McKinley High misfits, they're back – having just won sectionals – and ready to rule the school before regionals… That is until cheerleading coach Sue Sylvester (Jane Lynch) returns from a suspension, hell-bent on drowning Will Schuester (Matthew Morrison) and his show choir cadets in all the slushies she can get her ruthless hands on.
Also in turmoil, Mr. Schuester's budding romance with doe eyed guidance counselor Emma Pillsbury (Jayma Mays) and the on-going Rachel-Finn-Puck-Quinn love quadrangle. Psh, nothing a good musical number can't solve.
Yet even though "Glee," the brainchild of "Nip/Tuck" creator Ryan Murphy, feels contrived and overtly cheesy at times, it's all part of the appeal. Where else will you find an embittered ex sing their way through a choreographed kiss-off to "Gives You Hell?"
Lately, however, the series has finally managed to balance its own zaniness with a newfound sense of reality. Now, for every two parts glitter, we get one part gritty. For proof watch "Wheels," the most touching episode of the season tackling the complexities of high school hierarchies, homosexuality and physical handicaps among other things.
With plenty more still to come this season – including a much buzzed about Madonna themed episode – it's safe to say "Glee" is pitch perfect, packing enough of a punch to catapult pop culture to new notes.
And that's (most definitely) the way Sue "C's" it.


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